John Adams on "Nixon in China"

http://www.earbox.com/posts/103
Read Adams' recollection of creating the roles and matching the singers to the music. He is self-effacing about his vocal writing and assesses his own music with a clear eye and a very approachable manner.

Listening to 20th century music: spotlight on a favorite blog

 I studied the Quartet for the End of Time in Professor Lori Dobbins' class last year at UNH and loved Messiaen's language. Here is an excellent guide to the work from Michael Barry's blog. Thanks for posting!

Atonal Counterpoint from Norway: Fartein Valen

Valen (1887-1952) lived his entire life a bachelor in the country of Norway, but made important strides in the field of 20^th century music despite his relative isolation. His particular atonal “dissonant counterpoint” was developed in all likelihood completely unaware of Schoenberg’s work, though based on the same recognition of the need for a solid ground when leaving tonality behind. Valen was fond of the polyphony of Bach and worked out contrapuntal solutions which, while not tonal or based on consonant intervals, are as intricate and complex a system as that of the old masters. Interestingly, Valen studied composition with Max Bruch about ten years after the latter had mentored Ernst Mielck (see Friday’s post).

Much of Valen’s work is available at IMSLP, which is where I first encountered this fascinating composer. Recordings are available through Naxos for most of his work including the pieces written after 1923 which are not yet in the public domain. In addition, here is a taste of Valen’s unique style, from YouTube.

http://www.youtube.com/watch?v=d7kPHBiB0Lc Nachtstuck, from a set of 4 piano pieces

http://www.youtube.com/watch?v=7Q2rBzyPzhM Glenn Gould plays the 2^nd piano sonata (part 1)

http://www.youtube.com/watch?v=2hrz-vSBpVw&feature=related (part 2)

Sources: Grove, Naxos, links from Wikipedia

Tchaikovsky, Boris

Yes, that’s right, not Piotr Ilich, but Boris Alexandrovich Tchaikovsky (1925-1996). A composer of the modern age, his career took place 100 years after his more famous countryman. This Tchaikovsky is represented by orchestral works, film scores, chamber music, and an opera. His miniatures for piano are playful, sometimes modal, and ultimately charming.  If you can, check them out on Naxos, or his "After the Ball" suite, also on Naxos - lovely old-fashioned orchestral dance music.  Developing his style from the Russian masters of the previous generation and mixing in contemporary influences, Tchaikovsky was famous in his country but not well known outside of the Iron Curtain. Nowadays, he is fairly well represented on record, with several dozen recordings at the Naxos Music Library. 

Here is a recording of one of his settings of Pushkin’s poetry:

http://www.youtube.com/watch?v=VK_NOYNSRJU

the String Quartet, no.6

http://www.youtube.com/watch?v=2zoh9cBkEL8

and the Sinfonietta for Strings

http://www.youtube.com/watch?v=L3YNaxTW5l4


Sources - Grove, Naxos, additional links available from Wikipedia

Alfredo Casella

Casella (1883-1947) is another one of my cherished finds from IMSLP.  His use of modes and colorful pianistic style make him a unique find from the era immediately surrounding 1923 - the beginning-date of copyright, the end-date of free public domain music.  Casella was also a theorist and talented orchestrator, and I own a copy of his treatise on orchestration. His piano works vary from miniatures "for children" to vignettes in the style of various contemporaries or predecessors- Brahms, Debussy, Wagner, Strauss. The  children's pieces are a joy and cover various levels of technical skill, all in Casella's unique style and mixing in various influences and modes. The vignettes demonstrate the composer's sense of reverent and not-so reverent humor towards his fellows - in each piece, both the title and the use of the piano are pitch-perfect to the composer they evoke.  His orchestral music represents different periods of his career, from the early influence of Impressionism (A Notte Alta is a good example), to the "second generation" (Puccini being the first) of lush pieces like Resphighi's Pines of Rome, to angular, chromatic works of the later years. 

Here is a recording from YouTube of the first 6 of the Children's pieces: 

http://www.youtube.com/watch?v=c4-qsdEjeaY 

http://www.youtube.com/watch?v=mq5il4xkPmw  virtuoso etudes 

http://www.youtube.com/watch?v=JuA8QOXpCFA&playnext=1&list=PLAEB1B84D21D745DD  A Notte Alta part 1 

http://www.youtube.com/watch?v=lXG8A8NPp5g&feature=related  part 2